第三千两百六八章 有才
顶点小说(dingdian666.com)更新快，无弹窗！
都不用别人说，贾鸿渐自己都会觉得别扭！那咱咋办？难道为了舞台剧完全放弃这么一种人物和情节的塑造？贾鸿渐不甘心！而且再说了，只有四幕的话，他的这么一个杜拉拉主角也没办法展现给观众那种慢慢成长的经历啊！没办法展示出来经历了多少事儿，被人怎么当枪使，怎么被人出卖之后慢慢成长啊！因为只有四幕，可能最后表现出来的就是主角杜拉拉跟赛亚人一样的突飞猛进，这么一场戏还青涩呢，下一场戏直接就有点精了，再下一场直接就老油条了，最后一场直接就是boss级别的了……喂，这进展的太快了吧？太非人类了吧？有谁是能进展的这么快的？
所以此时在贾鸿渐心里，那真是有一种叫做纠结的情感正在滋生。他一方面舍不得这题材和内容，一方面又觉得自己放不下！但是他贾鸿渐不是一个纠结起来就没完的人，所以很快他就决定跳出这么一个纠结的圈子，从圈外往里看，说不定换一个角度，咱就可以看的更清楚，就可以让问题迎刃而解呢！怎么叫换一个角度，怎么叫从圈外往里看？那就是咱只站在舞台剧的角度来说，只站在话剧四幕的角度来说，这么四幕给咱做，咱不管能不能完整或者怎么样的表述杜拉拉的故事，咱就先想想看这四幕能表达一些什么故事！比如说，咱可以先看看陈沛斯那边的喜剧是怎么写的，看看人家一出戏四幕能够写些什么东西，这咱就能有了个概念么！或者说，也许咱先看看陈沛斯那边是怎么一个节奏，回头来咱们按照陈沛斯那边的节奏思考一下，说不定“杜拉拉”这么一个戏，咱们还可以分段来弄？比如到时候一出戏下来咱们让主角达到什么阶段性的目标？最后做成“连续剧似的话剧”的构造？
当然了，想是这么想的，咱还是要先看看陈沛斯那边有没有什么构思。结果贾鸿渐第二天找了陈沛斯一聊，果然这老哥还真的有想法了！“贾总，我暂时有个想法，就是……讲托儿的，具体来说吧，就是婚姻介绍所的托儿。比如说啊，主角是个开婚姻介绍所的，然后他让他那风韵犹存徐娘半老的老婆呢，去当托儿，装着是丧偶的中年妇女也要上门来找人介绍对象。这样他这婚姻介绍所就可以把这老板娘介绍给来征婚的男的，然后人家一看肯定乐意，就给钱呗。结果这老哥收了钱了，过几天又让老婆因为种种原因，跟那男的谈不下去了，这钱不就到手了么？整个大概背景设计成这样，而喜剧呢就是把这么一个假戏给变成真做——有一个成功的中年男人，正好老婆去世好多年了，他也想找个后半生的伴侣，结果这婚姻介绍所的老板娘就上去当托儿了，可是谁知道几天谈下来，这老板娘还真有点喜欢上这男的了！这多有意思！你说那婚姻介绍所的老板，是要钱啊还是要老婆啊？”
“嗯，这最后就变成了一个用鱼饵钓鱼，结果鱼饵跟鱼跑了……是吧？”贾鸿渐明白过来了什么。“没错！就是用这么一种有点弄巧成拙的特别情况来产生喜剧的效果！为了配合这种效果呢，最好再让主角他们开头的时候显得很精明，还自己觉得自己特聪明！然后通过这种弄巧成拙，让他傻眼的举动，来让整体笑果提升，最后通过一连串的事儿，让他虽然赢回了老婆，但是明白了不能弄虚作假，否则真的可能会陪了老婆又折兵！”
嘿！你别说，这陈沛斯还真是有才啊！人家这点子用在舞台剧上的话，感觉真是正正好好！一点不多一点不少，不会说产生什么“杜拉拉”那种舞台剧不够表现的感觉的！而且陈沛斯他们的这么一个故事的构思呢，放到电影上来拍的话，感觉有点太轻量级了，好像不是那么的吸引人，但是如果放在话剧上，整体感觉就很合适啊！怪不得这老陈在历史时空中一弄话剧就赚钱了，就火爆了，人家真是有这方面才华的啊！那咱能不能从人家这借鉴到什么呢？(未完待续)
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